Tuesday, 1 October 2013

Featured Poem for October 2013 - By Ian Billings


'Behold the Mighty Quango!'

Behold the Mighty Quango
There's simply no one worse
The maddest, baddest alien
throughout the universe!

Behold the Mighty Quango
He'll fight for all he's worth
He's dreaming up a scarey scheme
He's invading Planet Earth.

He lands his ship near Tesco
strides round looking tough
He makes confronting grunting sounds
until he's had enough.

He points his sonic laser
at every passerby
"Take me to your leader!"
he might just hear him cry.

"I claim this world for Quango!"
He rummages in his bag.
"I am the King of Planet Earth!"
He shouts and plants a flag.

But no-one seems to hear him
No, nobody at all.
Do you suppose it's because
he's a millimetre tall?

"I am the Mighty Quango,
Don't make me pull the trigger!
I give up I'm going home
I'll come back when I'm bigger!"
 
© Ian Billings 2013
Please do not use without the poet’s permission.



 

For further information about Ian Billings and his work please visit Ian's page here.

 

 

 


Thursday, 26 September 2013

Exclusive Q&A with Jane Ray, Children's Author and Illustrator

What gave you the idea for this collection of stories?

I’ve always been a collector – not expensive things like vintage cars or crystal ornaments, but everyday bits and pieces: shells and feathers, useful pieces of string and jam jars. I also collect stories and when I had so many that I’d run out of space in my head to keep them, I decided to write them down and turn them into books.

What did you like most about working on this collection – the stories or the artwork?

It was a delight to retell these stories – some old and traditional, some mythic and legendary, fairy tales, folk tales and made-up tales. The variety of characters is immense: good and bad, trickster and magician, prince and pauper. It was wonderful to be able to illustrate them too, and I decided that instead of working in watercolour and collage as usual, I would return to a technique that I had first tried as a teenager.

All the illustrations in these books are done on scraperboard or scratchboard, where board is coated with finely ground white clay and then covered in a layer of black Indian ink. The image is created by scratching, with a sharp stylus, through the black ink to the white clay layer below. The result is almost like an engraving. The pictures are very small, which leads you, as an illustrator, to think in terms of tiny details that might be missed in a bigger picture.

You’ve described the scraperboard technique, but there is a fantastic variety of artwork in the book – with amazing colours. How did this come about?

The stories come from many different countries and cultures, and this gave me the added creative thrill of incorporating traditional patterns from Africa, Inuit animal carvings or elements of Japanese woodblock prints into the illustrations. David Bennett at Boxer Books then worked his magic with the images, enlarging, adding colour, cropping and generally ‘playing around’ with both the illustrations and the look and ‘feel’ of the books, until we felt we had made something really special.


What is your favourite story in the collection and why? And favourite picture?

I really like Mulungu Paints the Birds – it's funny and charming and I’d never seen it before I researched this book. My favourite picture? I think it’s The Owl and the Pussy Cat dancing together hand in hand by moonlight on p.47. I love the simple happiness of the image, and I was quite pleased with how I managed to get the cat's stance and the moonlit edges of the creatures.

What do you think makes a good story?


Light and shade - contrast. The stories that hold your attention are the ones where you want to know what happens next, where you care about the characters and their destiny. You want them to overcome danger and attain happiness or peace. A story that is too happy is often bland and uninvolving – we all like a bit of drama! Having said all that I realise that my favourite story – Mulungu – isn’t  really dramatic at all!  I guess humour and an acknowledgement of human/animal failing makes a good story too.


Where can fans of your work find out more about you and your work?


I have a website www.janeray.com which I have rather neglected recently but I am about to update it. It's still worth having a look because there is a lot of stuff there. Also there is information about me on my publishers website – Orchard Books, Walker Books, Frances Lincoln ...


Can you sum up ‘The Story Collector’ is only 3 words?

Book of Delights!


***

‘The Story Collector: The Emperor’s Nightingale and Other Feathery Tales’

By Jane Ray
Published by Boxer Books
RRP £12.99 (large format hardback)
ISBN 9781907152597
Reviewed by Lynsey Evans

This is the first edition in a new series of tales re-told and illustrated by Jane Ray. And what a great collection it is! There are fairy tales, myths, traditional tales, folk tales and legends, some you’ll know as classics or favourites and some that are lesser known – something for everyone!

What makes this book amazing is the artwork. Just wow! Jane has used a scraperboard technique for the first time to illustrate a book. These are originally black and white minature pieces of art, which have been blown up and produced in a variety of colours throughout the book to a dramatic and beautiful effect! It looks and feels like a very special book, you can see the care and attention that has gone into it. It's like holding a little bit of art!

This is a great book to read and would also make a fab present for any avid reader.

Highly recommended for readers aged 8+


Thanks to Jane for answering our questions!





New Open Mic Night 'Fen Speak' starts in October with Venues in Ely and Wisbech

In association with the Fenland Poet Laureate Programme and Atelier East, and with support from ADeC, Elaine Ewart and Leanne Moden are starting up a brand new open mic poetry evening in North and East Cambridgeshire.

Fen Speak is a free spoken word open mic night designed to support and nurture local poets and writers, and help them develop their performance skills. It's a friendly and supportive space for people to read their poetry out loud, and Elaine and Leanne will be encouraging writers of all ages and abilities to have a go at performing their poetry!


Fen Speak events will be held every third Wednesday of the month, alternating between venues in Ely and Wisbech, and the first open mic night will be on Wednesday 16th October at the Babylon Gallery, Waterside, Ely CB7 4AU -meeting at 7:30pm for an 8pm start. There will be refreshments available, and there's absolutely not obligation to performance, so if anyone wants to come along to listen, that's absolutely fine. Elaine and Leanne hope to see you there!

Wednesday, 25 September 2013

Poetry Book Review: 'Brand New Ancients' By Kate Tempest

'Brand New Ancients'
By Kate Tempest
Published by Picador Poetry
RRP £9.99 (paperback)
ISBN 9781447257684
Reviewed by Lynsey Evans

Brand New Ancients won the 2013 Ted Hughes Award for Innovation in Poetry and has been published by Picador Poetry.


Rather than a poetry collection, with lots of individual poems, Brand New Ancients is an epic poem, that was written to be read aloud – as a spoken word piece. It’s really interesting to read something that is a performance piece as the way you read it, isn’t always the way the poet would deliver it, yet reading the piece makes you really appreciate the story-telling element. (Check out this YouTube Clip: http://youtu.be/1a8iFSXCHLw!)


Brand New Ancients tells the story of two families and their lives that Kate originally told over an orchestra’s score. The tales is set in the city but has myths woven into it – gods are in the betting shops and cafes! It cleverly shows how myths live on in modern society, in every day acts whether that be bravery, love or violence. It’s dramatic, thought-provoking, enchanting and quite marvellous.


Highly recommended for readers of all ages.


Visit Picador Poetry's website for further information or to buy the book.

Tuesday, 24 September 2013

The Man Booker Prize Announces Global Expansion

The expanded prize will recognise, celebrate and embrace authors writing in English, whether from Chicago, Sheffield or Shanghai. ‘We are embracing the freedom of English in all its vigour, its vitality, its versatility and its glory wherever it may be. We are abandoning the constraints of geography and national boundaries’



The trustees of the Booker Prize Foundation announced that the Man Booker Prize is to expand eligibility for entry for future prizes to include novels originally written in English and published in the UK, regardless of the nationality of their author. This change will come into effect for the 2014 prize.

The Man Booker Prize, which was launched in 1969, is widely regarded as the most important literary award in the English-speaking world. But, paradoxically, it has not allowed full international participation to all those writing literary fiction in English. 

The trustees have made their decision to expand the prize after an extensive investigation and evaluation, with the help of specialist independent consultants. Research and consultation began in 2011 and, over the following eighteen months, the views of writers, readers, publishers, agents, booksellers and others were canvassed on both sides of the Atlantic and beyond.

Initially, the thinking was that the Booker Prize Foundation might set up a new prize specifically for US writers. But at the end of a lengthy process, the trustees were wary of jeopardising or diluting the existing Man Booker Prize. Instead, they agreed that the prize, which for over 40 years has been the touchstone for high quality literary fiction written in English, would enhance its prestige and reputation through expansion, rather than by the setting up of a separate prize.  
  
The basic structure of the prize (the number of judges; the fact that only UK publishers can submit; the requirement that all the judges consider every book submitted; the contemporaneous nature of the submissions; the longlist and the shortlist) will be maintained. However, mindful of the increased pressure that the expansion will place on some publishers of literary fiction in deciding which books to submit, the trustees have approved a modified basis for submissions to recognise literary achievement; this will be by reference to longlisting within the previous five years (details of this process are below). At the same time, the prize will remain open to all UK publishers, existing and emerging, all of whom will be entitled to enter at least one novel as well as proposing up to five other novels for the judges to consider.

The trustees are confident that their decisions are in keeping with the increasingly international nature of publishing and reading. They believe that these changes will encourage traditional and new publishers alike, and bring yet more excellent literary fiction to the attention of readers around the world.

The changes to the annual Man Booker Prize will in no way affect the structure and objectives of the Man Booker International Prize, which recognises a writer for his or her achievement in fiction. It is awarded every two years to a living author who has published fiction either originally in English or whose work is generally available in translation in the English language.

Jonathan Taylor, chairman of the trustees, comments: ‘By including writers from around the world to compete alongside Commonwealth and Irish writers, the Man Booker Prize is reinforcing its standing as the most important literary award in the English-speaking world.' 

‘We are excited by the opportunities that extending the Man Booker Prize will bring for readers and writers worldwide. The expanded prize will recognise, celebrate and embrace authors writing in English, whether from Chicago, Sheffield or Shanghai. The wide geographic spread of the year's shows that this is a process already underway. We are embracing the freedom of English in all its vigour, its vitality, its versatility and its glory wherever it may be. We are abandoning the constraints of geography and national boundaries.'

‘The number of books publishers are allowed to submit has also long been a concern. Our new model, in recognising literary achievement, should encourage the traditional literary publishing houses while ensuring novels from new green-shoot publishers continue to be included.’

Manny Roman, CEO of the Man Group comments: ‘Man is delighted to be the long-term sponsor of the pre-eminent prize for literary fiction and we welcome its extension to include works in English from all round the world. This promises to enrich the debate around quality fiction.’

For further information please visit www.themanbookerprize.com.

Thursday, 19 September 2013

65 Years Windrush Celebration Black History Month Special Performance by Victor Richards

"Streets Paved with Gold" performed by Windrush Specialist Victor Richards
Listen to the streets that were paved with gold
She said it's a story that's never been told ...
Augustus Cleveland Johnson disembarks at Tilbury Docks in London on a cold, grey and wet November morning in 1948. This is the story of his new beginning in a foreign land. Share his dreams, hopes and aspirations.

It was 65 years ago the first African Caribbean Windrush passengers stepped onto English soil at Tilbury Docks, London in June 1948 and ignited a cultural revolution that shaped and defined the landscape of British society today.
London ShowDate: Saturday 5th October 2013
Time: Doors Open 6.30pm (Food Served) Show Starts 8pm
Venue: Trussler Hall
(78 Grundy Street Poplar London E14 6ND)
Tickets: £10 (Show and Food)  Contact: Christine Dormer: 0845 148 0018
 
Wales ShowDate: Wednesday 23rd October 2013
Time: 7.30pm
Venue: Lyric Theatre
(King Street Carmarthen Carmarthenshire SA31 1BD)
Tickets: £10   Tel: 0845 2263510

YOUTUBE video clip Book 'Poetry Trilogy' by Victor Richards

You can find out more about Victor Richards here.

Wednesday, 18 September 2013

Call For Submissions - Free Poetry Competitions & Magazine Content Required!

Global Feel Good Cultural Competition 2013

This competition is open to all and any type of poetry. The judging criteria is how 'feel good' the poem is as the whole point of the competition is to raise the nation's spirits and to gather together a resource of feel good culture. Prizes: TBA - a minimum of £50 - the criteria for judging will be how 'fun' and 'feel good' the poem is. 
Judges: Laura & Mark Tong - a third judge TBA.
Entry Fee: £0

See website for contact details and to enter: http://www.globalfeelgoodcompany.com/index.php

Closing Date: 30th September 2013

Basil Bunting Young People's Award 2013

Categories: 10-14 years and 14-18 years.
First Prize £50. Second Prize £30. Third Prize £20. There will be 3 commended works. 

Judge: Andrew Motion Prizes:
Entry £0

Further information and entry: http://basilbuntingaward.co.uk/w13/?page_id=36
Closing Date: 30th September 2013

Sassafras Literary Magazine      

Type of submissions: Poetry, flash fiction, nonfiction, artwork, audio, lists, prose poetry, flashling. All things minimalistic and mind-slicing wanted. http://sassafrasmag.wordpress.com/2013/06/05/call-for-submissions/
Submission guidelines: Poetry: 1-2 poems of 1-20 lines   Prose poetry: 1-3 pages per submission. Fiction:  Flash fiction up to 1000 words, flashling 10 to 500 words. Nonfiction: Narrative, interview, fact box (make it count!), memoir moments (one scene) creative lists and first pages of novels to come.  Other: Science illustration, amazing  Q&As, music playlists with caption, time documents. Art: Digital collage, photo, drawings, letterheads, selfies (if unique), doodles and charts, if artful.
Submit to: sassafrasmag@outlook.com
Publication frequency: Weekly, published Mondays. During the initial month, September, one issue every two weeks. Editor: Miranda Holmqvist.

Closing Date: 30th September 2013